![]() Once I drop my son off, it’s off to the races.ĭo you have a routine when you get to the office? And I try to do some type of 20-to-30-minute workout before I really get into the full - but I’m kind of in it already, between emails and phone calls. I try to spend an hour with them in the morning while balancing the emails and texts from work, seeing what’s happening. And then I spend time with my kids, getting them ready for school. I wake up between 6 and 6:30, and the first thing I do, for better or worse, is look at my phone, look through my emails. Starting at the very beginning: What time do you get up in the morning, and what’s the first thing you do? At Interscope, he manages some 200 employees and oversees a roster of artists that regularly sweep the charts. ![]() Beyond coaxing hits from the likes of Selena Gomez and Robin Thicke, he’s spent the past year overseeing releases from newer artists like Juice WRLD, DaBaby, Summer Walker, and Billie Eilish. Janick became president and chief operating officer of Universal Music Group’s Interscope Geffen A&M - which encompasses the long-running hit factory Interscope Records - under Jimmy Iovine in 2012 and took over as CEO and chairman in 2014. Up first is longtime music executive John Janick, who co-founded indie label Fueled by Ramen as a college student, led Warner’s Elektra Records, and shepherded acts like Panic! at the Disco, Ed Sheeran, and Bruno Mars to stardom. What does a career in music look like in 2020? How do decision makers balance the traditional philosophies of their industry with new responsibilities, the endless flood of new music, and even more changes that lie ahead? In Rolling Stone‘s new series At Work, we’ll explore this shifting landscape from the perspective of a different industry leader each week. Coming out of a decade of upheaval, the music business has never been such a challenging - or thrilling - place to work.
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